Dark Matter is a light-sound installation by Christopher Bauder, distributed over seven rooms. Abstract shapes move in space, change color to sound, a concept not unlike the ballets Wassily Kandinsky designed a hundred years ago.
While the aspect of motion gets lost in the static images here, I didn’t find the first few rooms compelling, the shapes are too simple, the action to little.
What really was missing, however, became clear in the Polygon Playground, where an artificial hill could be climbed and interacted with, providing the visitors with a bath in light.
From then on I became more fascinated by the reaction of the visitors to the art than by the art itself.
Or maybe I had just misunderstood before, maybe all the installations are just a canvas on which the actual art is happening.
This became even clearer in Grid, where dozens of light tubes move to an epic electronic composition by Robert Henke (Monolake), transfixing the audience.
Interaction has become art.