For the reopening of the Eskenazi Museum of Art in Bloomington, Elizabeth Limons Shea created the ballet Ascension to be performed throughout the building.
The open architecture (designed by I. M. Pei) of the building allows for unusual gestures and views.
The ensemble consisted of about a dozen dancers, performing in small groups.
The display of intimacy with each other and the building was quite compelling.
How much integration is possible? Art, building, performers, spectators, all one?
The Inner Frame 