And I was moved to ask myself just what I could still manage to accomplish in the time left to me.
Thus Arvo Pärt about his composition Lamentate, a piano concerto of sorts, inspired by Marsyas, the enormous sculpture by Anish Kapoor.
Pärt’s Lamentate is, as the name suggest, not merely a lament but a call to arms, in order create a counterweight to the state of the world. Marsyas does this in its own way, too, in the form of a musical instrument filling all of space.
The short canyon in Shades State park that leads from Devil’s Punch Bowl to Silver Cascades Falls is such an oversized instrument in its own right, to be played by walking it.
The beginning is total silence.
But, even during the worst drought, there is a trickle of water, feeding the fall with bits of sound and hope.
Four years ago I attempted a prayer.
Large scale mirrors like the surface of a lake are awe inspiring. They simultaneously create complexity and
order. The order comes from the inherent symmetry, and the complexity from subtle differences between original and
Things get considerably more complicated when the mirrors are curved. The Cloud Gate sculpture by Anish Kapoor (the Bean) in the Millennium Park in Chicago is a popular example. The multiple reflections create an immediately surprising chaotic richness of the reflection: Taking one step to the side changes the appearance of the reflection dramatically. But the sculpture also extends and therefore enriches the architecture.
Motivated by this, I began to experiment with the spherical mirrors, spheres being the simplest curved shapes.
For multiple spheres touching each other there is a surprising phenomenon that is best understood when we begin with seven spheres of equal size, one at the center, and the remaining six surrounding the central sphere symmetrically. Complete this configuration by adding two planes that touch all seven spheres. Now pretend that the two planes are in fact also gigantic spheres. Than these two and the central sphere all touch the remaining six spheres, which in turn form a chain where consecutive spheres touch.
It turns out that this picture is not just an approximation that only works in the ideal situation shown above where the big spheres are planes, but in fact works for spheres of any size. This is the content of Soddy’s theorem.
To turn this into some sort of virtual sculpture, it is best to make just one of the spheres a plane. Then place two spheres onto the plane so that they touch. If you continue placing more spheres onto the plane so that they also touch the two initial spheres and the previously placed sphere, they will form a chain of six spheres of which the last again touches the first.
Now imagine these being really large, reflective, slightly translucent, and illuminated with colored light sources. You might see something like this:
This is the first of a series of images featuring ray traced spheres.