More Praise of the Mirror

So I could not resist to try out how my ancient Sigma 600mm/f8 mirror lens does on a Nikon D800. So out I went into this year’s mediocre winter.

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The static motives one can find in the woods are tree stumps, rocks, and dead leaves. Cheers.

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All pictures here are reduced in file size by about the factor 20, thereby sharpening quite a bit. None of the some 50 pictures I took were sharp at full resolution, but the scaled images look decent.

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So this is not a miracle lens. A solid tripod and precise focussing are a must, at least when it is as gloomy outside as it is here now.

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But this was not the point of the experiment. I wanted to play with the background distortions caused by the mirror design of the lens. The ideal targets were either small or far enough away, with some sort of non-uniform background at about twice the distance to the target.

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I usually use only telephoto lenses up to 200mm, and finding small targets in the distance is a great visual training.

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In Praise of the Mirror

In 1992, I gave in to curiosity and lens lust and purchased the 600mm mirror lens from Sigma. The front element has a mirror (in reverse) at its center, forcing the light to travel three times through the lens and thereby allowing for a compact and relatively inexpensive design. This has some side effects, for instance the notorious donut shaped bokeh.

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Then it’s manual, fixed aperture at f8, and not that sharp. I have maybe used this lens on four film rolls, which is very little.

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When looking at the old negatives, the keepers from back then also show benefits.

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The unruly bokeh can be used to separate foreground and background. Instead of the silky smooth blur caused by rounded aperture blades that has become the gold standard of every fast lens, here we can simultaneously blur and shake up the background.

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This dramatic difference between foreground and background is hard to achieve (and maybe not desired) with modern glass. I used to experiment more.

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